Three for Getz – 2013 Albòre Jazz

Three For Getz

“Three for Getz” 2013 Albòre Jazz (Japan)

  • Paolo Recchia – alto sax
  • Enrico Bracco – guitar
  • Nicola Borrelli – bass

“Do you think it might have been presumptuous on my part, wanting to challenge myself with a tribute to Stan Getz?” This was the dubious question that Paolo Recchia posed when he asked me to give him my opinion of his new CD. And so, as it should be, I listened carefully to his music, and with much interest, I must add.

It’s always risky for a musician to base and compare his work to that of past legends. You need technical and musical background and study. You must also give up your personal interpretation: every piece you’ve listened to that musician play, you must have profoundly absorbed and assimilated – having, however, been able to have extracted from it something personal for you – in a way that your tribute is not merely a slavish copy of what you can’t really copy. It’s not an easy task.

That is exactly why you need humility and definitely neither conceit nor presumption to be able to make a tribute…so, there you are. This CD is precisely a recording which portrays humility. Paolo normally has an experimental inclination, a modern way of playing. Yet, despite this, with Enrico Bracco and Nicola Borelli, they too astounding on the recording, has had the courage to take a leap to 50 years ago, arriving at an incredible presentation of themes, rich harmonic mastery, warm sound and relaxed swing – which, in my opinion, are the fundamental components to remember the “California” period and the extraordinary musicians who made real jazz.

Playing the music of others is always experimental, fundamentally: you have to compare yourself to something profoundly different than what you know well – yourself. The result? While I was listening, it seemed like I was hearing Lee Konitz, Bud Shank and other musicians with whom I’ve been lucky enough to have performed. At the same time though, I heard Paolo’s personality emerge, exactly in the sensitivity and phrasing of a young player, used to other types of language and imagery. That’s not easy to find. Precisely for this reason, his tribute to Stan Getz is a masterpiece. 

Paolo Recchia is amazing because he is well prepared: but it’s not only for his technique, it’s a matter of his sensitivity. He has listened to numerous sax players and through them he has told his own story…and for me, this, really this, is music. I can do nothing else but compliment Paolo and his collaborating musicians. Congratulations!

Dino Piana

[mt_playlist id=”2028″]

As Leader

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  • “Peace Hotel”
  • 2015 Albòre Jazz (Japan)
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  • “Ari’s Desire”
  • feat. Alex Sipiagin
  • 2011 Via Veneto Jazz
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  • “Introducing Paolo Recchia”
  • feat. Dado Moroni
  • 2008 Via Veneto Jazz

As Sideman

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  • Luca Mannutza
  • “The Remembering”
  • Rearward Record Label
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  • Nicola Angelucci
  • “Beyond the Drums”
  • Via Veneto Jazz
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  • Stefania Patanè/Group
  • “Even Not 4”
  • Wide Sound
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  • Gianrico Manca
  • “The Wrong Side”
  • feat. Paolo Recchia
  • Sardmusic
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  • Luca Mannutza
  • Sound Six
  • “My Music”
  • Albòre Jazz (Japan)
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  • Luca Mannutza
  • Sound Six
  • “Tributo ai Sestetti Anni 60”
  • Albòre Jazz (Japan)
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  • Nicola Angelucci
  • “The First One”
  • Via Veneto Jazz
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  • Aldo Bassi
  • “Research”
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  • Lorenzo Tucci
  • “Touch”
  • Schema Records
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  • Pippo Matino
  • Silvia Barba
  • “Bass Voice Project”
  • Wide Lab
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  • Giorgio Rosciglione
  • “Tribute to Duke”
  • Tuscia in Jazz
The Music I Play_250
  • Francesca Sortino
  • “The Music I Play”
  • RWM/Family affair
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  • Federica Zammarchi
  • “Fires ‘n Pyres”
  • Dodicilune Records
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  • Samuele Bersani
  • “L’Aldiqua”
  • Sony BMG music ent.